The Catacombs of Paris are not just a burial ground; they are a stage set for a performance that transcends the ordinary.
In July 2024, Queens of the Stone Age did what no band had dared before—they performed beneath the streets of Paris, in the labyrinthine ossuary known as the Catacombs. This wasn’t just a concert; it was a communion with the past, a dialogue with the millions of souls interred in the shadows. Josh Homme, the band’s enigmatic frontman, had spent 18 years seeking permission to play in this sacred space. His persistence paid off, and the result was “Alive in the Catacombs,” a live performance that will be released on June 6 via Matador Records and Remote Control Records.
The Catacombs dictated the music.
Homme described the experience as one where the venue itself guided the performance. “We’re so stripped down because that place is so stripped down,” he remarked. “It would be ridiculous to try to rock there. All those decisions were made by that space. That space dictates everything, it’s in charge. You do what you’re told when you’re in there.” The band, accompanied by a three-piece string section, embraced the acoustics of dripping water and distant echoes, crafting a soundscape that was as haunting as it was intimate.
The bones of Paris became the audience.
The Catacombs, established in the late 18th century, house the remains of over six million Parisians. These skeletal witnesses to history now bear silent testimony to a performance that blurred the lines between life and death. Homme quipped that the Catacombs provided “the biggest audience we’ve ever played for,” a chilling acknowledgment of the venue’s macabre audience.
An experience beyond the screen.
“Alive in the Catacombs” is not just a concert film; it’s an invitation to experience music in its purest form. Recorded live with no overdubs or edits, the performance captures the raw energy and vulnerability of the band in a setting that demanded reverence. The film will be available for rent or purchase through the band’s official website, offering fans a chance to witness a moment in rock history that can never be replicated.
Was this performance a tribute or a haunting?
As the world awaits the release of “Alive in the Catacombs,” one must ponder: was this performance a tribute to the past, a haunting of the present, or a prophecy for the future? In the depths of the earth, amidst the bones of the forgotten, Queens of the Stone Age found a stage that demanded more than music—it demanded a ritual. And in that ritual, they may have unearthed something eternal.
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