Turnstile’s “Never Enough”: Hardcore’s Impressionist Masterpiece

An Auditory Gallery of Sound

With Never Enough, Turnstile doesn’t just release an album—they unveil an auditory gallery. Each track is a brushstroke, each note a color, painting a vivid landscape that challenges the very essence of hardcore punk. Frontman Brendan Yates, embracing the role of “art director,” guides the band through a maze of sounds that defy expectations. The opening title track ascends through layers of trippy synths, explosive guitar riffs, and rhythmic drumming, setting the stage for an album that is as much about feeling as it is about sound.

Breaking Boundaries

Turnstile has always been known for pushing the limits of their genre, but Never Enough takes this to new heights. Collaborations with artists like A.G. Cook and BadBadNotGood infuse the album with elements of hyperpop and jazz, creating a soundscape that is both familiar and entirely new. Tracks like “Dull” and “Sunshower” exemplify this fusion, blending hardcore’s raw energy with experimental textures that captivate the listener’s senses.

The Art of Sound

The band’s evolution is evident in their approach to production. Recorded at the legendary Mansion in Laurel Canyon, Never Enough is a testament to Turnstile’s commitment to artistic growth. The album’s deliberate pacing and ambient layers showcase a maturity that contrasts with the high-octane energy of their previous work. Yet, this introspection doesn’t come at the cost of intensity; instead, it enhances it, creating a dynamic that keeps the listener engaged from start to finish.

An Invitation to Explore

Never Enough is not an album to be consumed passively. It invites the listener to delve deeper, to explore its nuances and hidden layers. Each track offers a new perspective, a different emotion, challenging the listener to reconsider their perceptions of hardcore punk. In this way, Turnstile has not only expanded their own musical boundaries but has also redefined what is possible within the genre.