The opening night at Cannes was not just a red carpet—it was a battlefield.
Robert De Niro, accepting his honorary Palme d’Or, didn’t just thank the audience; he launched a scathing attack on President Donald Trump, calling him “America’s Philistine president” and urging the crowd to “act now… without violence, but with great passion and determination” to defend democracy. Laurent Lafitte, the ceremony host, echoed this sentiment, invoking the legacies of artists like Josephine Baker and Marlene Dietrich, who used their platforms for political change. Juliette Binoche, the festival’s president, declared that artists have a duty to confront the “demons of our barbarities,” including war, climate disruption, and misogyny.
But the real revolution was unfolding on screen.
Oliver Laxe’s film Sirât follows a father and son searching for a missing daughter in Morocco, delving into themes of resistance and alternative communities. Its raw portrayal of modern crises and collective care has been hailed as a visual manifesto against capitalism.
Ari Aster’s Eddington takes on the chaos of 2020 America, with Joaquin Phoenix playing a sheriff-turned-mayoral candidate who rebels against mask mandates. The film critiques both political extremes and the internet’s role in societal breakdown, offering a satirical yet grim portrait of a nation in turmoil. AP News+1Vanity Fair+1
Yet, the festival’s political fervor isn’t just about films—it’s personal.
The documentary Put Your Soul on Your Hand and Walk centers on Palestinian photojournalist Fatima Hassouna, who was killed in an Israeli airstrike just days after the film was selected for Cannes. Her death sparked an open letter signed by over 350 filmmakers, condemning the global film community’s silence on the Gaza crisis.
This Cannes is more than a festival—it’s a reckoning.
From the opening speeches to the films that followed, the 78th Cannes Film Festival has emerged as a platform for political discourse, challenging the apolitical façade often associated with the event. In a world teetering on the edge of multiple crises, Cannes has chosen to confront, not retreat.
But as the festival draws to a close, one question lingers:
Will the political fervor of Cannes 2025 ignite a global movement, or will it fade into the annals of cinematic history?
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